It seems we can all agree that beautiful rifles can be works of art. We also agree that anyone is free to take one of those works of art into the field. We may disagree a bit on whether we'd be prepared to do it ourselves!
On an early hunt in Zimbabwe, a fellow I was sharing camp with had a pre-64 Winchester. I could only assume it was important, at least to him, because I couldn't see it. It was wrapped from stock to barrel in duct tape, with cut-outs for trigger and bolt. On the other hand, I have no problems taking my Rigby .416 Rigby (with the best wood they had!) into the field. The dings and scrapes (and it has both) are mementoes of great hunts. I wouldn't have the gun looking any other way.
I tell my wife - it's kind of like me. I think I look better today than when we got married (32 years ago), because each line and wrinkle speaks to experience. She seems to understand. I don't think she agrees, but she seems to understand. Same about the gun.