Rigby visit last week

idiot101

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A while ago I saw a post by Franz Davis, head of community at @RIGBY inviting members of AH who found themselves in London to visit the workshop, museum and range.

Well I was going to be in London for a wedding, so I popped him a message and crossed my fingers the offer hadn’t expired. Needless to say it hadn’t, and within hours I was in a whatsapp group with him, Tony Sinnett and Patrick Hawes the new Showroom manager.

Long story short, on Thursday afternoon I was at the West London Shooting School with Jérôme Lanoue, who redesigned and built the Shakiri Double rifle in 2024, with the prototype he built and has used hard since. He’s put 2500 rounds through it in two years he said. Remarkable, especially for a 500NE. He’s about to build another with two sets of barrels and retire the prototype to the museum.

Now I’m no expert, I’m new to doubles. I have a 9.3x74r, currently back in France for a warranty repair which I’ve fed only 250 rounds through. I’ve never shot a Purdey, a H&H or a Westley Richards but I was hugely impressed with the Rigby. It balanced beautifully between the hands, open and cloesd with the lightest touch and closed with the finality of a bank vault and though the LOP was about an inch short for me had fully half the recoil I expected. I have a video of my shooting it but unfortunately AH doesn't allow mp4 files.

1782130837456.png

Of course in such august company I immediately developed a flinch and shot like a 12yr old borrowing their father’s 12guage. Even having bruised my own ego wasn’t enough to wipe my grin off my face. He gave me some tips I’ll be practicing. Worth it.

We were there for probably an hour or so before we started shooting. Talking about what is/isn’t important in a rifle, lead times, improvements they’ve made to the final design, caliber preferences and suitability, where we’ve been shooting recently and generally having a good chat. He’s not a fan of necked cartridges in doubles, half because of performance, recoil, pressures but also because of availability in Africa if your rifle arrives but the ammunition doesn't. Shame as I liked what I read of the 500/416, but if you don’t listen to the guy with the experience then you deserve to your mistakes.

The next morning and I was at the Rigby offices (a half hour taxi from central london, a bit of a treck but I’m glad they don’t have to add the price of Mayfair rent to their rifles), its an industrial unit in an alley between a garage and what looked like an industrial kitchen. Patrick is showroom manager and showed me round. He joined in April, but was hugely charming and charismatic, clearly liked by the team and already a wealth of knowledge.
1782130884078.png



He showed me the finished rifles, starting with what I think was a 700NE rising bite (but might have been 600NE), 22lbs and a complete monster! Before exploring the warren of rooms.

Engravers in the eves, with magnified goggles and tiny vices. With good advice and stories of surprising commissions. I won’t go into it but you wouldn’t believe what some people want on their guns. Next to the gunmakers to talk about colour-casehardening, barrel thicknesses, personal preferences on ammunition and grain weight. stockmakers, finishers, and apprentices.
1782131090950.png
1782131062555.png


I didn’t count but there were probably 15 in total, all young, engaged, cheerful, proud of their work and clearly enjoying their jobs.

Then the museum, Jim Corbett's rifle, stories about customers new and old. Especially important to me as Maneaters of Kumaon was the first hunting book I read and what really set the hook in me.

1782131312003.png


Finishing with a walk of a few blocks to the new and impressive premises which was a detached townhouse crawling with workmen. Painters, plasterers and electricians rushing to finish the snagging so Rigby can move in. The trophy room partly hung will be especially amazing and I can’t wait to see what they can achieve when the team gets to work in a purpose built space with good light and space to breathe.
1782131034051.png


Thank you @RIGBY very much for taking so much time indulging me and I hope you enjoy the whisky and the Biltong!
 
Love that moss colored wall for displaying trophies. :cool:
 
If only I had more money to order a Rigby :cry:
 
With what Rigby is charging for their guns I'm sure they are probably paying all those craftsmen quite well, by England standards anyway. That company has certainly gained from the infusion of capital from the Blaser Group as well as their margins. Beautiful stuff......I'm always amazed at how many people there are that are willing to pay the enormous amounts for radically embellished pieces of the type that were once only for the sheiks, princes, other royalty and the fortune 100 crowd.
 
Thanks for sharing. I'd love to tour their facility but doubt I could handle the hustle and bustle of London. But maybe ... Appreciate the tipping advice. I'll be sure to bring my best bottle of Boone's Farm and family size bag of pork rinds.
 
A while ago I saw a post by Franz Davis, head of community at @RIGBY inviting members of AH who found themselves in London to visit the workshop, museum and range.

Well I was going to be in London for a wedding, so I popped him a message and crossed my fingers the offer hadn’t expired. Needless to say it hadn’t, and within hours I was in a whatsapp group with him, Tony Sinnett and Patrick Hawes the new Showroom manager.

Long story short, on Thursday afternoon I was at the West London Shooting School with Jérôme Lanoue, who redesigned and built the Shakiri Double rifle in 2024, with the prototype he built and has used hard since. He’s put 2500 rounds through it in two years he said. Remarkable, especially for a 500NE. He’s about to build another with two sets of barrels and retire the prototype to the museum.

Now I’m no expert, I’m new to doubles. I have a 9.3x74r, currently back in France for a warranty repair which I’ve fed only 250 rounds through. I’ve never shot a Purdey, a H&H or a Westley Richards but I was hugely impressed with the Rigby. It balanced beautifully between the hands, open and cloesd with the lightest touch and closed with the finality of a bank vault and though the LOP was about an inch short for me had fully half the recoil I expected. I have a video of my shooting it but unfortunately AH doesn't allow mp4 files.

View attachment 772089
Of course in such august company I immediately developed a flinch and shot like a 12yr old borrowing their father’s 12guage. Even having bruised my own ego wasn’t enough to wipe my grin off my face. He gave me some tips I’ll be practicing. Worth it.

We were there for probably an hour or so before we started shooting. Talking about what is/isn’t important in a rifle, lead times, improvements they’ve made to the final design, caliber preferences and suitability, where we’ve been shooting recently and generally having a good chat. He’s not a fan of necked cartridges in doubles, half because of performance, recoil, pressures but also because of availability in Africa if your rifle arrives but the ammunition doesn't. Shame as I liked what I read of the 500/416, but if you don’t listen to the guy with the experience then you deserve to your mistakes.

The next morning and I was at the Rigby offices (a half hour taxi from central london, a bit of a treck but I’m glad they don’t have to add the price of Mayfair rent to their rifles), its an industrial unit in an alley between a garage and what looked like an industrial kitchen. Patrick is showroom manager and showed me round. He joined in April, but was hugely charming and charismatic, clearly liked by the team and already a wealth of knowledge.
View attachment 772090


He showed me the finished rifles, starting with what I think was a 700NE rising bite (but might have been 600NE), 22lbs and a complete monster! Before exploring the warren of rooms.

Engravers in the eves, with magnified goggles and tiny vices. With good advice and stories of surprising commissions. I won’t go into it but you wouldn’t believe what some people want on their guns. Next to the gunmakers to talk about colour-casehardening, barrel thicknesses, personal preferences on ammunition and grain weight. stockmakers, finishers, and apprentices.
View attachment 772093View attachment 772092

I didn’t count but there were probably 15 in total, all young, engaged, cheerful, proud of their work and clearly enjoying their jobs.

Then the museum, Jim Corbett's rifle, stories about customers new and old. Especially important to me as Maneaters of Kumaon was the first hunting book I read and what really set the hook in me.

View attachment 772095

Finishing with a walk of a few blocks to the new and impressive premises which was a detached townhouse crawling with workmen. Painters, plasterers and electricians rushing to finish the snagging so Rigby can move in. The trophy room partly hung will be especially amazing and I can’t wait to see what they can achieve when the team gets to work in a purpose built space with good light and space to breathe.
View attachment 772091

Thank you @RIGBY very much for taking so much time indulging me and I hope you enjoy the whisky and the Biltong!
Thank you so much for visiting! It was an honor for Rigby to have you in London! Thank you also for the thoughtful gifts - are very much appreciated by the team!
 
Sounds like you had a thoroughly enjoyable time. And I'll bet that trophy room will be impressive once finished!
 
If only I had more money to order a Rigby :cry:

It just depends on how badly you want it. Seriously, do you really NEED indoor plumbing and electricity? Or are you just getting soft? :cool:
 
Wow — in London now and regretting there isn’t time available for a proper visit.
 
It just depends on how badly you want it. Seriously, do you really NEED indoor plumbing and electricity? Or are you just getting soft? :cool:
I LOVE IT!
 
Very cool, probably a really neat experience! Thanks for sharing!!!
 
What were the anti-flinch tips? Not that I ever plan to shoot a 500, but I also don't need a 500 to make me flinch! :)
Most of the tips were non-flinch related (footwork, exagerated cheekweld), but for flinch especially it was the importance of dryfiring on moving targets and how your trigger hand should be for the trigger only and shouldn't be very involved in holding the rifle or pulling the rifle into the shoulder. My flinch originated from pulling the rifle in tight and gripping with the trigger hand at point of firing causing the barrels to dip. Whether this was happened because the shorter LOP had already had a crack at my middle finger - I have no idea.

Another idea I'm going to impliment, though it didn't come from Rigby's, was mixing live ammunition with empty cases with bullet heads when at the range - so you don't know whether it'll go bang or not. Obviously this should be done carefully and controlled so that A. you don't know which is which, and B, so there isn't any risk of them being confused at the end of the session resulting in an ND at 1am while everyone else is asleep.
 

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