So I've been playing with oil finishes

rookhawk

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For years I've had two options for oil finishes on wood, I'm really liking a third that is a shortcut.

The traditional options:

1.) The very best finish takes 6-9 months and about 20-40 hours. It's the Purdey finish. A drop a day for a week, a drop a week for 6 weeks. A drop a month for 6 months. Rubbing it down between coats, using rottenstone, etc. This is what should be done for a true best shotgun and perhaps a quarter of a million dollar double rifle. Its not practical for most people or most guns.

2.) The easy traditional route, put mineral spirits on a vintage gun, remove any surface petrochemicals, let it dry for a few minutes, then use Boiled Linseed Oil in small amounts. Typically 3-5-7 coats can reactivate and enrich the original finish. It's not difficult, its moderately slow, and it looks okay.

3.) Dishonorable mention. Truoil. It's horrible. It's pimpy. It has no place on a fine gun unless its a Perazzi or Kolar and you're a trap shooter looking for a crazy high gloss finish.

What I've been playing with for the last few years:

There's a product called Timberluxe. It comes in 2 ounce vials, enough to do MANY rifles. It has more hardeners than option 1 or 2 above, so it cooperates and can rejuvenate and restore a gun or rifle in 2-3 coats put on every other day for less than a week. Application time per coat is about 15 mins. It has a bit of color to it and it can be applied in a few different ways. The normal way is to rub it into the grain on coat one, making a satin finish. Go back two days later and do it again, maybe twice more. If you want a British satin finish, you're done. If you want closer to a best finish, the final coat you apply you do not rub off the surface, you leave it a bit thick and wet. After 3-5 days of hardening, you have more of an italian semi-gloss finish. A vial of this stuff runs around $25 a vial. The vial is good for about 3 weeks before it oxidizes after opening, so its best to do several guns in a short timeframe. This system is very forgiving and you're applying it with fingers, so lint or rubbing out with a cloth is not required at all. The only really important task is to have a used soft toothbrush handy. After every coat, cut the checkering with the toothbrush in all directions to make sure any molecule of oil that fell into the checkering is thinned out. DON'T finish the checkering! At the very end of the process, you can use a toothbrush and very light amounts of oil to cut the checkering with the toothbrush.

Above all, do no harm. Gloppy overzealous finish or shiny, glossy checkering from amateur stock work is absolutely hideous and destroys value.

In conclusion, I like that Timberluxe is MUCH faster to apply, is very forgiving, and yet its just slow enough that you really have to be negligent to create a problem you can't undo. (problem = you put on 10x too much in one go, then put too much on again while the prior coat was still sticky)
 
I have some “raw” stocks to finish on two projects. I may very well use this on one or both. Thanks for sharing.

For me, I would get your stain on first, then I would go on with BLO a few times and leave it sit for a month. Just something to arrest the sponge level thirst of the wood. Then I would think 5-7 coats of Timberluxe over a course of 10-14 days and you'd have a very nice finish. You can go back and cut the checkering after finished, then toothbrush in a light coat of the timberluxe as the very last step.
 
I agree True Oil is junk. I use Linspeed. Apply with finger, let dry forty minutes to hour, then rub off with paper towel. Keep doing this till grain us filled. Then start building coats if gloss finish is desired. I prefer my oil finishes with satin look. Agree, stay out of the checkering until last coat. Use a toothbrush to lightly apply one coat to checkering.
 
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@Altitude sickness from a high res photo, one cannot tell that you didn’t use the Purdey method. Excellent work! Perfect level of effort and outcome based on the value of the vintage guns you did the work on. Your work is equal or better to mine on those canvases.
 
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P.s. @Altitude sickness let’s have a beer summit and discuss checkering. You’re ready to start. You can conceal a lot of wear with a triangle checkering file and a bit of dawn dish soap. I’m not saying recut the whole field, just normalize the wear between the nice stock and the worn checkering. There is an easy way to remove minimal originality while normalizing the contrast.
 
“Purdue method”

Are you saying it looks like I used chicken fat? :LOL:
The hammer gun benefited the most from your suggestion to conserve not restore. And removing the 150 years of gunk on the stock.
 
P.s. @Altitude sickness let’s have a beer summit and discuss checkering. You’re ready to start. You can conceal a lot of wear with a triangle checkering file and a bit of dawn dish soap. I’m not saying recut the whole field, just normalize the wear between the nice stock and the worn checkering. There is an easy way to remove minimal originality while normalizing the contrast.
I've chased a lot of checkering over the years but it's never involved Dawn dish soap.
Please explain?
 
I've chased a lot of checkering over the years but it's never involved Dawn dish soap.
Please explain?

Before you can assess if chasing checkering is even needed, warm water and dawn dish soap to cut the checkering’s gunk is required. Some times checkering was dirty, not shallow.
 
Just picked up a late 1940’s Aya 16ga at a gun show today for a song… it’s in horrible condition.. but should be a fun project gun.. a complete refurbish won’t lesson value.. because it started with almost no value lol…

The action is tight.. and all rust is just superficial.. and the wood, while absolutely pedestrian, is in pretty good shape.. no deep scratches, no cracks, etc.. just in bad need of some TLC…

Taking notes here on refreshing the finish…
 
a quick derail if I might.. Im hoping someone might help me identify the shotgun I bought today..

the tag said it was an Aya Matador 16ga.

The serial number says it was made between 1949-1954.. but does not say WHICH model gun it is..

It is clearly a box lock with a greener crossbolt..

I definitely paid "Matador" price for it (basic gun made for the American market)..

Heres my quandary... Ive now looked at about a hundred pics of Matadors.. none of them have any engraving other than a little scroll on each side of the action..

this gun has a bird (eagle maybe?) engraved on each side.. its not particularly great engraving.. but.. it is definitely not a scroll..

Its also got 2 triggers.. some early matadors it appears had double triggers.. but most have singles..

and I cant find any reference to any matador every having anything other than the scroll on it..

No model is engraved on the barrel.. just the gauge and chokes…

any of you spanish gun experts have any idea what I might have here?

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The gun has side clips, the greener crossbolt, double triggers, and several other features that the Aya-Sauer VIII had… the more I look into it, I think that what I might have on my hands..

Still not a crazy expensive gun… it looks like in good shape they go $1500-$3000…

And probably not something I’d seriously devalue with a stock refinish.. so I think I’ll move forward with the project…

I’ve got $300 in the gun out the door.. not a whole lot at risk here..
 

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